On September 12, 2001, the day after the fall of the Twin Towers, WABC-AM in New York City recruited John Batchelor to go on the air until Osama bin Laden was either killed or captured. John has been on ever since, offering insightful commentary on such issues as the war on terrorism, the presidency, the national and global economies, and defending our civilization. On March 12, 2003, one week before the attack on Iraq, ABC Radio Networks invited John to bring his expertise to syndication. Since then John has reached out nationwide, focusing his concerns on a world at war.

The John Batchelor Show is an essential tool for understanding the new order in the 21st Century. The world is now facing a dangerous and fanatical enemy determined to destroy Western civilization on both political and military fronts. In this, the first great ideological battle of the new millennium, it is imperative to know the major players and the theaters in which they operate.

The John Batchelor Show features a multitude of distinctive elements. John's themes cover every detail - from military battles, presidential campaigns, planetary exploration, and Hollywood politicos to his own international travel. John has broadcast from many corners of the world and in his program he calls out to all points, including New York, Jerusalem, Des Moines, Kazakhstan, Orlando, Manchester, Morocco, Boston, Taipei, Washington, and Baghdad.

John is a veteran novelist, author of seven political romances as well as a short history of the Republican Party. Born in Bryn Mawr, Pennsylvania, in 1948, John attended Lower Merion High School and Princeton University. In 1976 he was graduated from Union Theological Seminary. John is married and has two children.

1. Escaping Famine Saving Pennies Finding Footholds - Tyler Anbinder

3. German Populist Resurgence Threatens Global Order - GAIUS & GERMANICUS

CAPTION 1890 SAXONY

German Populist Resurgence Threatens Global Order
Finally, Gaius and Germanicus turn to Germany, where the populist Alternative for Germany (AfD) party has achieved historic breakthroughs in regional elections. Germanicus and the host analyze how the AfD's rise in Saxony, winning up to 44%, signals deep structural shifts. The party remains firmly anti-NATO, anti-EU, and anti-American, throwing off what Germanicus describes as a 'yoke of shame' imposed since World War II. Rejecting comparisons to 1932 militarism, Germanicus frames this surge as a conservative Thermidorian reaction against Western cultural wokeism and its therapeutic ethos. He contrasts the western therapeutic culture with the heroic Soviet traditions still present in East Germany. Germanicus argues that European populations are desperately seeking renewal and a return to stable traditions that protect their loved national worlds. He identifies this regional political shift as a clear bellwether for potential populist victories in other European nations, including France and the Netherlands, where citizens also resist migrant influxes. Crucially, he asserts that this growing European anti-American sentiment is ultimately beneficial for the United States itself. These global setbacks will serve as a necessary wake-up call, forcing the American empire to abandon its ruinous 'pied piper mission' of global dominance and finally focus on its own domestic renewal.

2. Middle East Conflict Drives Economic Decline - Gaius and Germanicus:

CAPTION XERXES I OF PERSIA

Middle East Conflict Drives Economic Decline
Gaius and Germanicus: Transitioning to Persia, the hosts examine the regional conflict, noting escalating military tensions. Germanicus argues that unlike typical midterm elections, foreign policy will heavily influence the upcoming vote. The war against Iran, fought primarily on behalf of Israel, has severely damaged the domestic economy and alienated the MAGA base. Average Americans are facing devastating fuel and food inflation, with diesel reaching $6.12 a gallon and agricultural prices like wheat and soy rising 14% to 16% monthly. With the president's approval rating collapsing to 33%, Iran has strategic incentive to launch counterattacks against commercial tankers to further disrupt the electorate before the vote. Germanicus asserts the establishment has no real endgame, relying on mainstream media propaganda to project false success. He compares this imperial overreach to the chaotic third century or the end of the Roman Republic. Ultimately, he views these crises as a necessary catalyst for a vital strategic withdrawal. These modern conflicts are no longer overhead wars that can be easily written off, but rather systemic threats that actively destroy actual power and reputation. Extricating itself from these costly, destructive foreign entanglements is the only way for the United States to regroup and successfully recover its complete domestic strength. (2)










































1. American Embassy Seeks Ukrainian Peace Deal- Gaius and Germanicus

CAPTION 1894 KREMLIN

American Embassy Seeks Ukrainian Peace Deal
Gaius and Germanicus: Set in autumn 92 AD in Londinium, the hosts discuss the declining institutions of the modern American empire, drawing historical parallels. They focus first on the Ukraine war, analyzing the recent "embassy" sent by the American emperor, Donald Trump, to Moscow and Kyiv. Germanicus explains this diplomatic mission, consisting of Kushner and Witkoff, was not a true negotiation but a means to convey the emperor's sentiments. The emperor desperately wants to end the conflict because Ukraine is on the verge of collapse. Allowing an imminent collapse while the United States is actively managing deep strikes would result in a massive public humiliation. By securing a ceasefire or peace deal, Trump hopes to fulfill a major campaign promise before the crucial election and free up strategic maneuver room to focus entirely on the conflict in Persia. The proposed peace terms would likely require Ukraine to yield contested territories, including parts of Donbas, Zaporizhzhia, or even the historic prize of Odesa. Germanicus asserts that European client states, including Poland and the Baltics, will ultimately fall in line. Furthermore, Poland might view a Ukrainian collapse as an opportunity to reclaim historic western territories they controlled for many centuries. (1)

2. Culture Wars And Political Backlash James - Shapiro

CAPTION 1935 WPA "IT Can't Happen Here."

Culture Wars And Political Backlash
James Shapiro, Part Two: This segment details the political battle that destroyed the Federal Theatre Project, laying the groundwork for modern culture wars. Shapiro discusses Representative Martin Dies, an ambitious, racist politician who headed the newly formed House Un-American Activities Committee. Dies targeted the theatre project, accusing its popular shows of spreading communist propaganda. Specifically, popular living newspapers like One-Third of a Nationangered powerful real estate interests and conservative congressional opponents by exposing urban poverty. Meanwhile, the administration actively suppressed unproduced Black plays like Liberty Deferred, which featured a satirical depiction of lynching. Armed with false accusations from Hazel Huffman, a disgruntled, opportunistic receptionist who read Flanagan's mail, the committee aggressively smeared the project. Hallie Flanagan's defense failed to persuade congressmen who mocked her artistic terms, resulting in Congress defunding the project in 1939. This historic clash established a political playbook that continues to target all public arts funding across America today. (2)

1. Shakespeare Politics And American Theater - James Shapiro

CAPTION 1936 HARLEM LAFAYETTE THEATER

Shakespeare Politics And American Theater
James Shapiro, author of The Playbook: A Story of Theater, Democracy, and the Making of a Culture War, Part One: This recording examines the transformative impact of the Federal Theatre Project during the Great Depression. Shapiro highlights the historic 1936 Harlem premiere of Macbeth, an integrated cultural triumph directed by a young Orson Welles with an all-Black cast, which adapted Shakespeare to Haiti. The discussion focuses on Harry Hopkins, who created the WPA Federal One program to employ destitute artists, and director Hallie Flanagan, who established a vast, accessible national theater that brought thousands of free productions to millions of Americans. Shapiro also examines Sinclair Lewis and his antifascist novel, It Can't Happen Here. Although Hollywood spent massive sums to acquire the movie rights, studio heads ultimately cancelled the film due to foreign market fears and censorship. In response, Flanagan mobilized the Federal Theatre to adapt the work, staging it simultaneously in twenty cities across the country as a powerful, urgent nationwide warning against the dangers of rising global fascism. (1)

2. Empresses Rebels And Ordinary Romans - Emma Southon

CAPTION UNDATED

R, Part Two: This segment covers diverse women of the Roman Empire, beginning with Augustus's highly educated daughter, Julia. Southon describes how Julia was used as a political marrying tool to secure male heirs, including Agrippa and Tiberius, before her public rebellion led to her permanent, harsh exile and ultimate starvation under Tiberius. Moving to Roman Britain, the discussion contrasts Cartimandua's strategic cooperation with the Romans against Boudica's famous, violent rebellion and tragic suicide. Archaeological findings from Pompeii reveal ordinary women like Julia Felix, a wealthy, independent businesswoman who ran a sprawling entertainment and bath complex. Meanwhile, the Vindolanda tablets reveal educated military wives, including Sulpicia Lepidina, organizing active social lives on the hostile northern frontier. Finally, the interview details Perpetua and Felicity, Carthage's famous Christian martyrs who embraced redemptive suffering, defiance, and ultimate execution in the grand arena rather than ever renouncing their devout faith by sacrificing to the polytheistic Roman gods. (2)

1. Roman Women Reshaping Ancient History - Emma Southon

CAPTION 1802 ROMAN WOMEN.

Roman Women Reshaping Ancient History
Emma Southon, author of A Rome of One's Own: The Forgotten Women of the Roman Empire, Part One: This interview explores early Roman history through the lives of its women, challenging traditional male-dominated narratives. Southon discusses how first-century historians like Livy wrote to flatter Emperor Augustus, shaping historical memory to justify his autocratic rise. The discussion starts with the founding of Rome, highlighting the forced mass kidnapping of the Sabine women and Hersilia's crucial, peacemaking intervention that united warring families. Southon contrasts Hersilia's virtuous legacy with Tarpeia, who betrayed Rome due to a perceived female greed for luxury. The narrative transitions to the Etruscan queen Tanaquil, who helped secure the monarchy, and her ambitious granddaughter Tullia, whose murderous path to the throne exemplified the corruptive nature of unchecked power. Finally, the interview details the tragic story of Lucretia, whose ultimate virtue and sudden suicide after her assault by the king's son became the direct catalyst for Brutus to overthrow the corrupt monarchy and successfully establish the Roman Republic. (1)

2. Translators Defy Soviet Espionage And Terror - Alan Philps

CAPTION:  NOVEMBER 1941 MOSCOW

Translators Defy Soviet Espionage And Terror
Alan Philps, Part Two: Philps continues with the lives of the Metropol Hotel's translators and Stalin's propaganda war. He introduces Nadia, the granddaughter of a rabbi, who served as a Soviet military intelligence spy in Shanghai and New York, hiding microfilm inside pocket mirrors. Working as a translator, she became a secret dissident, only to be arrested and exiled to the Gulag for eight years after Australian journalist Godfrey Blunden revealed her true views in a thinly veiled novel. Philps also shares the story of Tanya, a glamorous Russian translator who married Britishcorrespondent Ronnie Matthews. Ronnie successfully forced the Soviet regime to permit her exit. The conversation concludes with Philps reflecting on how Stalin's brutal playbook of total media censorship and expendable human life directly mirrors Vladimir Putin's modern disinformation campaigns. (2)

1. Stalin's Wartime Propaganda At The Metropol Alan Philps,

CAPTION october 1941 Moscow

Stalin's Wartime Propaganda At The Metropol
Alan Philps, author of The Red Hotel: Stalin's Propaganda War at the Metropol, Part One: John Batchelor welcomes Philps to discuss Stalin's tightly controlled propaganda war in Moscow during World War II. The conversation focuses on Western correspondents at the decaying Metropol Hotel, who struggled against heavy Soviet censorship while relying on Russian women as secretaries and translators. Philps introduces several key female figures: Charlotte Haldane, a passionate British communist writing for the Daily Sketch; Alice Moats, a glamorous American socialite turned Collier'sreporter who evaded evacuation orders; Natalia, the loyal translator and love of veteran journalist Cholerton, tragically sent to the Gulag after he was barred from the country; and Valentina, translator and future wife of Ralph Parker, who defended him during a physical altercation at a high-profile press conference. These brave Russian women provided vital survival links for journalists amidst rampant wartime starvation and ruthless, omnipresent Soviet political terror. (1)